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Gatecon 2002 Day Five: Bridge Studios |
Vancouver, B.C. Canada
September 12-15, 2002
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Last Updated 11/12/2002
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often get asked if reprints of my photos are available. If you are interested
in Photo Reprints, the details can be found on the main Gatecon 2002 page.
Photos with code numbers on them are not cropped or changed from the original
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Warning!
There will be Season 6 and even movie and/or Season 7 spoilers to be found in
the guest talks. These reports were written during the convention, for the most
part, although I have tweaked them here and there with comments, corrections
and/or updates and the like for the web page. In the case of this particular
report of my visit to the set, I’ve expanded it quite a bit from the original
version that was posted to the lists.
I
can't tell you much about the guest panels on Sunday morning of the con because
the evening before Leah had surprised me by bidding (and winning) a silent
auction for a seat (for me) on the set tour. However, Leah did tell me about a
question she asked Alexis Cruz and a couple of things he said. She wrote down
some notes at the time and this is what they say.
Leah asked Alexis about what it was like to
work with James Spader (Leah just had to get Spader in there,
y'know?) and Kurt Russell versus Michael Shanks and Richard Dean Anderson. He
recalled that Spader and Russell were always having political battles in their
trailers because they were polar opposites (liberal versus conservative) until
it made him (Alexis) feel sick! He bonded with Russell because Alexis felt he was
less intellectually aloof than Spader. He said that Michael Shanks came up to
him on the set of Children of the Gods in the persona of Daniel and Shanks had
the imitation of Spader's Daniel down so well that it was eerie—perfect.
Richard Dean Anderson has more of a sense of humor than Kurt Russell playing
the role.
Alexis
also talked some about how Shanks is a very innocent person when compared to
someone like himself who grew up in The Bronx. He found that quality about
Shanks very endearing.
So, I
was off on the set tour while this was happening. First, the bad. The set tour
was, overall, very well organized and what a wonderful treat! However, for
those of us who had won the extra seats either through raffles or silent
auctions, there was a distinct lack of communication regarding what we were
supposed to do, where we were supposed to be and which bus at what time we were
supposed to be on. We were told (those of us who asked and were persistent)
that our bus assignment would be posted the night before on the bulletin board.
It never was and we were then told to simply be in the lobby at 7:30 in the
morning. Unfortunately, even then, no attempt had been made to assign all of us
to one bus or another and a goodly number of us ended up having to wait for the
second bus... which means we didn't need to get up at the crack of dawn and
stand around the lobby for several hours! We also didn't have set tour passes.
Luckily for me, at least, Michelle Dudley was nice enough to hunt one down and
get it to me by the end of the convention when I asked (I wanted one as a
souvenir, at least).
Well,
once we did all finally get on the bus, we were off to Bridge Studios. When our
huge honkin' bus full of fans pulled up at the gate of Bridge Studios, the guard
was apparently daydreaming or something. Or else we were invisible. The driver
finally had to honk the horn to get his attention! By that time, one of the
crew had come to fetch us anyway. Once inside, we were split into two groups.
I was
actually fortunate enough to be in the second group, which meant we had to
stand around outside in the chilly breeze for a while but our
group was smaller than the first one touring through and once we
got in there, we were told that since we were the last tour of the day, we
could take as long as we wished to run around the sets and basically just play.
It was incredible. The bus driver had to eventually send someone to fetch us!
Anyway,
while we stood around and waited outside, we wandered around the parking lot. I
tried to use up a roll of film so I’d have a fresh roll loaded once we went
inside. I had a laugh at Dan Shea’s parking spot which is situated right in
front of the Pooper Scooper station! Poor Dan! Who wants to be there are jokes
about that? There was a big sign saying: “CAUTION: Kids, Dogs,
Actors, Teamsters. I thought that was funny…but then I wondered how serious
they were and why they needed to “warn” drivers that there were actors about.
Could it be that the actors are wandering around distracted or something? I
also keep wanting to misread “Teamsters” to say “Hamsters,” for some strange
reason! There was a bicycle leaning up against a truck with a sign saying it
was the property of Bridge Studios. It was a “courtesy” bike, apparently, and
one of our little group actually rode it around for a few moments. Some of the
crew members stood around with us but, sadly, I didn’t ever get any of their
names. I know that one of them (the tall gray-haired fellow pictured below)
said it was his first year working on the show, I believe. The fellow in the
long-sleeved crew shirt ended up giving one of the “tourists” the shirt off his
back before we left! If anyone knows the names of the crew pictured below, I’d
love to be able to add their names to the photos.
Rick
Dean, the head of the lighting department, was our tour guide. He absolutely loves
the show. He told us over and over again that he was as much a fan of the show
as any of us. Unfortunately, the only photo I managed to get of Rick didn’t
come out very good. Sunday was the crew’s day off, but all of the people there
had come in to show us around and visit with us. They had obviously gone to
great lengths to light the sets and to arrange everything for our visit.
Several other crew members (and even someone's daughter) were there to answer
our questions and assist us throughout our visit. Every place we went, they
would see someone looking at something or exclaiming in glee over something and
they would immediately ask if we would like them to take a photo of us with our
camera. They just couldn't have been nicer or more obviously delighted at our
delight. They repeatedly said that they loved and appreciated the fans and that
without us there would be no show.
The
first thing we saw when we went through the stage doors, was a big, strange
looking prop. It didn’t look familiar to me (see picture below), so I don’t
think it’s appeared on the show yet. Have a look and see if you can identify
it.
Rick
led us a short way into the lab. The room has multiple functions as Jonas' lab,
Sam's lab and, of course, it was originally Daniel's lab. You can tell by all
of the books and artifacts lining the walls that it was set up as Daniel's lab.
They've added some little touches for Jonas like the lava lamps (which was
turned on for our visit) and the like. There are also lights in the ceiling
that can be lowered and the room becomes the operating room. I was examining
some of the shelves and pointed out some hand labeled tapes to Rick and asked
"What are these episodes of early seasons of Stargate doing in here?"
Rick seemed startled, blinked, and looked twice and then said "I guess
they hope that you can't read the labels at home!" Turns out they really
were tapes of the show! The room itself was really rather small and narrow. It
looks much bigger on the show, no matter whose lab it’s “dressed” as.
Next
he took us into the infirmary where there were three beds set up and all sorts
of medical equipment. Being the avowed Danielite that I am, my first thoughts
were of how many times Daniel ended up there! Of course, the other characters
have all their share of time in Dr. Fraiser’s clutches! Then down some
corridors (is it a sign that you're a real fan when just the corridors are
thrilling?). He showed us a rather bare room where he says they can set it up
to be just about anything they need, such as Teal'c's quarters. Rick let us
mill around awhile and take photos in front of labeled doors and the hallways.
A number of people were nice enough throughout the visit, including some crew
members, to snap pictures of me with my camera.
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We
next went through some more corridors and suddenly the big blinking red lights
started swirling around and he had a radio message that the gate was activated!
He ordered the iris closed. <g> And suddenly we were at a door which
opened to reveal... the star of the show! The Stargate, in all its glory, all
lit up like Christmas lights. It was an awesome moment for a fan of the show.

6856_8
I
think we were all kind of stunned for a few moments. I know that my jaw hit the
floor. It really was an overwhelming experience, in some ways. Then we happily
clambered up the ramp one at a time to have our pictures taken in front of the
Stargate. I am so pleased that so many of my photos came out looking good.
Turning around finally, we could look up into the control room. At this point,
Rick turned us loose and told us to spend as much time as we wished in the gate
room, the control room, upstairs in the briefing room and in General Hammond's
office. A nice fellow, who was part of our group, took my photo in front of the
Stargate. I dubbed him our “official photographer” because he ended up taking
not only my photo, but pictures for a number of other people throughout the
tour! Climbing up the ramp was rather difficult as it is made of heavy meshed
metal and kind of springy. It would be a very hard landing for our intrepid
explorers all those times they’ve come through the Gate and landed on their
noggins!
Once
I could tear myself away from gaping at the Stargate, I went upstairs into the
control room, but even there your eyes were just drawn to the Stargate through the
window. It was lit from behind the iris and all of the lights on the ring and
the ramp were lit up. It really is a “star.” The crew had set it up so that one
panel in the viewing window was cracked open so that we could easily take
photos of the Stargate without getting glare from the glass.
They
had all of the blinky lights on in the control room for us so it all looked
completely "real." One of the crew took pictures for us in front of
the star map. After wandering around a bit, I climbed the familiar stairs up to
the briefing room. Crew members there took photos in front of the big SGC
symbol and one invited me to sit in the general's chair at the briefing table
and have a photo taken! Once again, the Stargate beckoned from out of the
window. In fact, I got so distracted by it that while a roll of film was
rewinding, I opened the back of my camera too soon and fogged the front portion
of a roll! I have never, in decades of photography, made a stupid mistake like
that. I've got my fingers crossed that that wasn't the section with me in front
of the Stargate. (When the photos came back from the lab, I hadn’t lost a
single picture. I must have only fogged the leader. Whew!) Next, I checked out
General Hammond's office and sat in his chair (the one that Daniel thought was
so comfortable in Proving Ground) and even picked up the red phone (although it
didn't ring through to the president).
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Finally
tearing myself away, I went back downstairs, figuring the tour was just about
over. But, no. Rick sent us along some more corridors and out onto a huge
soundstage where most of the floor was taken up by some unidentifiable
structure. But, first, I got lost because a crewman told me to turn left when
he meant turn right. I ended up with another member of the crew and Thomasina.
The crewman escorted me back the right direction through a maze of corridors
and told me that people who worked there got lost all of the time when they
were new! Someone had asked Rick earlier what the lines on the floors meant and
he was of the opinion that they were just for show.
Anyway,
on the soundstage, all you could see from the outside was plywood shapes. But
once you went inside... you were on the Prometheus! We were allowed to wander
through all of the gray corridors, into the control room, onto the bridge and
to sit in the captain's chair. At the foot of the chair were some scribbled
down lines on a scrap of paper. We didn't know if they were really some lines
from an upcoming episode or just put there for us. <g> Rick showed some
of us right where the scene where Simmons is sucked out an airlock was filmed.

6845_13
One of
the crew members told us, when asked, that the Gatecon group is the only time
all year that they allow a group to tour the studios.
I can
only say thank you to Gatecon, to N. John Smith, to Rick Dean, to all of the
crew members, and to Bridge Studios. It was an unforgettable morning.
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Featuring pictures of Brad Wright, Alexis Cruz, Virginia Hey (from Farscape), Jay Acovone, Jay Brazeau, Tony Amendola, Erick Avari, Gary Jones, Teryl Rothery, Don S. Davis, Dan Shea, Amanda Tapping, Colin Cunningham, JR Bourne and more!
Featuring pictures of Michael Shanks,
Amanda Tapping, Tom McBeath
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